NBA How To: Using Footwork To Create Opportunities On The Outside | NBA Playbook

NBA How To: Using Footwork To Create Opportunities On The Outside

In my opinion, good footwork is something that gets taken for granted when watching the NBA.  Good footwork is key for a NBA player because it is what players use to create space without using their dribble.  Both big men and guards use footwork to put themselves in better position to score, even if they do it very differently.  Today we are going to look at how players use good footwork on the outside to create open looks and scoring opportunities.

On the outside, there are a few different ways that guards can use footwork to get themselves an open shot (or a drive to the lane).  Footwork is important in just about every aspect of the game on the outside, whether it be a player jab stepping with the basketball, a shooter squaring up their body when catching and shooting, or a ball handler hitting a step back jumper.  In each instance there are a few different players who really succeed at this aspect of the game:

Pivot Moves

In the NBA, you don’t see many players utilize the pivot move too effectively (on the outside), but one player who does is Kobe.  You often see Kobe using fantastic footwork to spin in and out of trouble and get himself in position where he can get shots off.

On this play, Kobe Bryant pump fakes getting Kenyon Martin up in the air.  Most players are content jumping into Martin’s body, drawing the foul and getting the two foul shots.  Not Kobe.  He is going to try and find a way to pivot out of the play and find a way to get the shot off.  On this particular play, Kobe’s left foot is established as his pivot foot.

Kobe turns his back to Martin and is spinning out of the play.  Notice that Kobe Bryant keeps his left foot down on the ground in one place.

Kobe completes the spin and he is now once again facing the basket.  Kobe still has his foot planted, and this is key.  Because if Kobe picks up his foot at any point during this play while his right foot is still on the ground, it is a travel (since he is basically establishing a second pivot foot).

To prevent this, Kobe jumps up in the air and gets a shot of.  He knocks it down as he gets fouled by Martin.  So instead of taking the two foul shots, Kobe pivots and puts himself in a situation where he can get three points.  Here is the play in real time:

It isn’t just spin moves either.  Kobe uses his pivot foot to help create body position and space that allows him to get off tough shots.

Here, Kobe Bryant is driving baseline and he wants to try and get a pull up jumper off.  Ray Allen is playing good defense though, so instead Bryant simply pump fakes.

Ray Allen doesn’t jump in the air on this pump fake, but he does lean a little bit.  Kobe takes advantage of this leaning and steps through with his left foot.

What this step through move does is put Kobe’s body in between Ray Allen and the basketball.  This allows for Kobe to rise up without fear of getting his shot blocked since Ray Allen would have to get through Kobe’s body (and eventually fouling him) to get to the basketball.

Ray Allen is forced to just stand there with his hands up because he doesn’t want to foul Kobe.  Kobe is able to hang in the air and knock down the jumper.  Here is the play in real time.

Jab Step

The next move on the outside that you see is the jab step.  The jab step is basically used to get the offensive player’s defender off balance and leaning in one direction.  This gives the offensive player an advantage with the basketball.  In my opinion, the player with the best jab step in the league is Carmelo Anthony.  Carmelo uses the jab step a ton and can do a lot of things off of it, and that is what makes him so dangerous.

As the basketball gets swung out to Carmelo, the Miami Heat defender is trying to close out on him, in this particular instance, Carmelo is able to use this to his advantage.

Carmelo loves going baseline.  He probably goes baseline more than he goes to the middle, but you can’t overplay him.  Here, Melo jabs as if he is going basseline, and the defender bits hard, almost as if he is trying to beat him there.

However, it was just a jump stop.  As Melo’s defender heads towards the baseline, Melo takes one or two dribbles and squares up for a jumper.

Melo pulls up and knocks down a jumper.  Look at all of the space Carmelo was able to create by just using a simple jab step.  Here is the play in real time:

Catch & Shoot

Footwork may not seem important when a player is taking a catch and shoot jumper, but if he is a good shooter working off of screens or on the move, it is very important.  The reason is that you want to get your body behind the basketball and your feet in perfect position BEFORE you catch the basketball.  This is because you want to be able to catch and fire in quick succession before the defender can have time to challenge the shot.  If you catch, get your feet and body in correct position, and then shoot as a defender trails you, you are going to have your shot blocked every time.  Two players who have really good footwork when they catch and shoot off the move are Ray Allen and J.J. Redick:

Here, Ray Allen is coming off a screen where he is going to catch a pass and then shoot right off of that.  When you watch this, you want to pay attention to his footwork.  Notice how he curls it so that he can catch the ball, take one final step, and jump off of it.

This is another interesting clip.  Here, Redick is coming off of a screen, and instead of coming off of it on a straight line he curls it.  This is what allows him to catch, square up, and shoot it all in one motion.  If he comes off the screen on a straight line, he can’t do that.

Step Back Jumper

The final way a player can create space/help get shots off with footwork is the step back jumper.  These usually come off of the dribble, with the offensive player putting their man on their heels and then stepping back and shooting before the defender can recover.

Here, Kevin Durant starts to drive towards the baseline, but he quickly pulls it back and before his defender can recover, he knocks down the three.  What makes Durant so dangerous when he does this is that he has such long legs that he step backs further than most ball handlers.  This forces the defense to try and make up a lot more space than they usually can.

Here is another step back jumper, this time coming from Deron Williams.  Here, Williams is being covered by Nene on the outside off of a switch.  Williams knows that Nene is going to give him space and try to cheat on the defensive end because of the difference in speed.  Williams takes one hard dribble towards the rim, and Nene reacts to it, wanting to stay in front of Williams defensively.  However, Williams pulls the basketball back with a crossover dribble, and Nene can’t recover.  Williams knocks down the open three pointer.

There is one more step back jumper that I want to take a look at.  It comes from the man who we started the post looking at, Kobe Bryant.

Here, Kobe Bryant has the basketball and he is being defended by Ray Allen.  Allen is obviously trying to force him along the baseline.  This is because the baseline is where all of the Celtics’ help defense is coming from.

Kobe briefly plays into the Celtics hands as he starts towards the baseline.  However, Kobe Bryant just takes one dribble towards the baseline before stepping back.

As he makes his step back move, you can see what makes the move so effective in general.  On step back moves, the offensive player knows where he is going, but the defensive player doesn’t.  Make your move quick enough, and it is hard for the defender to react.  That is exactly what happens here.  As Kobe is moving back towards the three point line, Ray Allen is still heading towards the baseline.

The result is a wide open three point shot that Kobe knocks down as Ray Allen is trying to close out and recover.

This is a good angle of the result of Kobe’s move.  Look how much space that Kobe has to get his shot off.  Here is the play in real time:

23
Sep 2010
POSTED BY Sebastian Pruiti
DISCUSSION 27 Comments
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  • http://twitter.com/CoachCostello Mike Costello

    Great post! A lot of times something as simple as a pivot or step through can be more effective than And1 moves

  • http://twitter.com/CoachCostello Mike Costello

    Great post! A lot of times something as simple as a pivot or step through can be more effective than And1 moves

  • http://twitter.com/CoachCostello Mike Costello

    Great post! A lot of times something as simple as a pivot or step through can be more effective than And1 moves

  • http://twitter.com/CoachCostello Mike Costello

    Great post! A lot of times something as simple as a pivot or step through can be more effective than And1 moves

  • Dan

    I really enjoy your blog and this post in particular. But I'm uncertain about the first clip of Kobe. He completely clears KMart and the foul itself is, well, ridiculous. It didn't have a hope of affecting Kobe's shot and it was like he wanted to hear “… and one”. So, given that, Kobe can't really expect that if he's doing such great a job, and it was terrific, that he would still draw contact. He didn't. Contact chased him down.

    Which brings me to my first question. The choice is between drawing contact and adding a foul to an opponent's best/better defenders with progress towards the bonus or working extra hard for a clear and makeable shot, but really with no guarantee of a foul (remember, he already passed on that opportunity). It seems like the first option is more productive.

    My second question is about traveling. I've been wondering about this for a while, so it looks like now is the time to clarify it. The NBA rulebook (http://www.nba.com/analysis/rules_10.html) says:

    Section XIV-Traveling

    g. If a player, with the ball in his possession, raises his pivot foot off the floor, he must pass or shoot before his pivot foot returns to the floor. If he drops the ball while in the air, he may not be the first to touch the ball.

    So why can't he take that step and shoot a runner? Or does “raises his pivot foot off the floor” mean make a one-footed or two-footed jump?

  • Dan

    I really enjoy your blog and this post in particular. But I’m uncertain about the first clip of Kobe. He completely clears KMart and the foul itself is, well, ridiculous. It didn’t have a hope of affecting Kobe’s shot and it was like he wanted to hear “… and one”. So, given that, Kobe can’t really expect that if he’s doing such great a job, and it was terrific, that he would still draw contact. He didn’t. Contact chased him down.

    Which brings me to my first question. The choice is between drawing contact and adding a foul to an opponent’s best/better defenders with progress towards the bonus or working extra hard for a clear and makeable shot, but really with no guarantee of a foul (remember, he already passed on that opportunity). It seems like the first option is more productive.

    My second question is about traveling. I’ve been wondering about this for a while, so it looks like now is the time to clarify it. The NBA rulebook (http://www.nba.com/analysis/rules_10.html) says:

    Section XIV-Traveling

    g. If a player, with the ball in his possession, raises his pivot foot off the floor, he must pass or shoot before his pivot foot returns to the floor. If he drops the ball while in the air, he may not be the first to touch the ball.

    So why can’t he take that step and shoot a runner? Or does “raises his pivot foot off the floor” mean make a one-footed or two-footed jump?

  • Mork

    My jaw dropped on that first Kobe move, and I doubt I'd have seen it without your analysis. Wow.

    Love the jab redick makes with his right foot before beginning the curl you pointed out. His man is already so far behind him that I wonder if that jab isn't part of how he'll always run that play. It sets up the curl that much better, and in this case, despite how far beat his man already is, he walks right into the Gortat screen as a result of that little jab.

    ever gonna do some analysis on crossovers, etc? Anytime I see Deron Williams on here I wonder what you could teach us by breaking his down…

  • Mork

    My jaw dropped on that first Kobe move, and I doubt I’d have seen it without your analysis. Wow.

    Love the jab redick makes with his right foot before beginning the curl you pointed out. His man is already so far behind him that I wonder if that jab isn’t part of how he’ll always run that play. It sets up the curl that much better, and in this case, despite how far beat his man already is, he walks right into the Gortat screen as a result of that little jab.

    ever gonna do some analysis on crossovers, etc? Anytime I see Deron Williams on here I wonder what you could teach us by breaking his down…

  • http://pulse.yahoo.com/_GN26OTNWY7BNR26QTQSQ2S5Q2Y Jaffe

    im not sure about the nba, in high school bball (and to an extent FIBA) hes allowed to raise the foot but not land it.

  • http://pulse.yahoo.com/_GN26OTNWY7BNR26QTQSQ2S5Q2Y Jaffe

    Although i dislike kobe as a player, i totally love his footwork, its the biggest thing that separates kobe and lebron, kobe gets out of situations with his footwork, lebron just brute forces it (although its incredibly effective too)

  • http://pulse.yahoo.com/_GN26OTNWY7BNR26QTQSQ2S5Q2Y Jaffe

    im not sure about the nba, in high school bball (and to an extent FIBA) hes allowed to raise the foot but not land it.

  • http://pulse.yahoo.com/_GN26OTNWY7BNR26QTQSQ2S5Q2Y Jaffe

    Although i dislike kobe as a player, i totally love his footwork, its the biggest thing that separates kobe and lebron, kobe gets out of situations with his footwork, lebron just brute forces it (although its incredibly effective too)

  • http://nbaplaybook.com/2010/09/24/nba-how-to-using-footwork-to-create-opportunities-on-the-inside/ NBA Playbook – A Look At The Playcalling In The NBA Through Videos, Pictures, & Words » NBA How To: Using Footwork To Create Opportunities On The Inside

    [...] we took a look at how guards use footwork on the outside to creating scoring opportunities.  Today, we are going to look at how the big men do it.  In my opinion, good footwork on the [...]

  • james

    great read, but you cant have an article about footwork and not include paul pierce!

  • james

    great read, but you cant have an article about footwork and not include paul pierce!

  • ThereGoesThatMan

    Great article! In my opinion, Olajuwan, Bird, and Kobe are the best ever when it comes to footwork.

  • Anonymous

    Great article! In my opinion, Olajuwan, Bird, and Kobe are the best ever when it comes to footwork.

  • Escobar1681

    I really love your work! It is soooo vital to study for my own game!

  • Escobar1681

    I really love your work! It is soooo vital to study for my own game!

  • Paul

    Dan, as far as my understanding goes, the rule should specify that you can only lift that pivot foot while jumping in the air. If you lift it and shoot a runner, you're technically taking a half step and then jumping, which is different. You can take off for a one foot or two foot jump, but you can't take that half step before you do. So if you take off for a one-foot jump, you're jumping off you're pivot foot. Either way, throughout the movement it's important that you keep your weight on your pivot. If you lift it at any point before jumping or getting rid of the ball, it will always unequivocally be a travel.

  • Paul

    Dan, as far as my understanding goes, the rule should specify that you can only lift that pivot foot while jumping in the air. If you lift it and shoot a runner, you’re technically taking a half step and then jumping, which is different. You can take off for a one foot or two foot jump, but you can’t take that half step before you do. So if you take off for a one-foot jump, you’re jumping off you’re pivot foot. Either way, throughout the movement it’s important that you keep your weight on your pivot. If you lift it at any point before jumping or getting rid of the ball, it will always unequivocally be a travel.

  • http://mindlessdistractions.wordpress.com/2010/09/26/high-percentage-shots-out-of-seemingly-lo-percentage-situations/ High-Percentage Shots Out of Seemingly Lo-Percentage Situations « Mindless Distractions

    [...] In the first post, Pruiti handles ‘creating opportunities on the outside’. He broke down how: [...]

  • Rex

    What's really nice about that last clip of Kobe doing a step-back 3 is that instead of jabbing left with his left foot, he uses his right. Looks like this does two things, first it keeps his body “closed” to Ray Allen so that he can't body up on him, and second it lets him really load up and push off for a very big step-back. (Compare that to Melo's jab right with the right.)

    Also: second the comment that Pierce should be a role model here. After the Celts knocked the Cavs out of the playoffs in 2008, I recall Lebron saying that he thought Kobe and Pierce had the best footwork in the game.

  • Rex

    What’s really nice about that last clip of Kobe doing a step-back 3 is that instead of jabbing left with his left foot, he uses his right. Looks like this does two things, first it keeps his body “closed” to Ray Allen so that he can’t body up on him, and second it lets him really load up and push off for a very big step-back. (Compare that to Melo’s jab right with the right.)

    Also: second the comment that Pierce should be a role model here. After the Celts knocked the Cavs out of the playoffs in 2008, I recall Lebron saying that he thought Kobe and Pierce had the best footwork in the game.

  • justin

    great article, as always.
    you should include paul pierce's ability to take spot up jumpers (at this favorite place, the elbow) going off of either foot.

  • justin

    great article, as always.
    you should include paul pierce’s ability to take spot up jumpers (at this favorite place, the elbow) going off of either foot.

  • justin

    great article, as always.
    you should include paul pierce's ability to take spot up jumpers (at this favorite place, the elbow) going off of either foot.